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Lost Days

by Lemonade Sin

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    Comes in a beautifully crafted gatefold card case with a pouch for easy access to the CD without damaging it rather than those ones where it's really hard to get them out that really piss me off

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1.
There’s too much time To do what I want to do No deadlines, no pressure And it’s all going to seed Too much time To achieve anything Weeks drift by And it’s all going to seed My house has never been so clean And all I see is the dirt and the dust that I’ve missed My life has never been so pristine Untouched, unembraced, unencumbered, unkissed There’s too much time For anything meaningful No shape to the day And we’ve all gone to seed Too much time To spend it on anyone Months drift by And we’ve all gone to seed My muse has never been so idle Seems so long since I stumbled on anything new My mind can’t slow this downward spiral Unlit, uninspired, unaroused and unmoved There’s too much time Too much time Tried to make some music Too many sounds to choose from Tried to write a novel Too many words to choose from Tried to paint There’re too many colours No constraints And everything’s duller There's too much time Living through lost days Racing slowly Living through lost days Racing slowly
2.
Sane Asylum 04:23
Flickering by doorways and Shadowing on the wall Tiptoed on stairwells And whispering in the hall Girl by the fireplace Girl by the window Your perfume betrays you You’re never quite in view I am as safe as houses I stop you from falling Capture your bones and skin I am a sane asylum Keep you from flying away…… But I can’t find my way out of here, No I can’t find my way out And I can’t find my way out of here My way out A doorway to nowhere Retreats to vague spaces There’s footsteps on flagstones And glimmering ghostly traces Girl at the edge of my sleep Keep your watch over me Lay on memory Make me your sanctuary I am as safe as houses I stop you from falling Capture your bones and skin I am a sane asylum Keep you from flying away Fence you in But I can’t find my way out of here, No I can’t find my way out I can’t find my way out of here My way out Stretch out my Limb-like walls And wrap them around you
3.
We wake up to find the sun is shining Welcoming us from high And though everything’s a little strange We’ll find a way of getting by People emerge, Rubbing their eyes We’re learning how to live again Little by little, pushing the bar We’re learning how to laugh again But have we jumped the gun? We’re shutting down again We’d barely begun Now we’re shutting down again I was busy making plans Didn’t see the emptying streets Now I’m standing on my own Watching it all repeat Barricades up as the shutters come down Folded inside ourselves, half invisible No trophies for us, empty shelves, empty days Left to tiny thoughts and smaller miracles Looks like I jumped the gun We’re shutting down again We’d barely begun Now we’re shutting down again Are you someone I used to know Taken away while I was sleeping Can’t remember where I put my name Breathing shallow, thoughts receding Heart is slowing, gently leaving Looks like I jumped the gun. We’re shutting down again We’d barely begun Now we’re shutting down again Breathing shallow Thoughts receding Heart is slowing Gently leaving
4.
A wall of boxed and tiny friends All trapped in two dimensions inside our flats and houses it’s been too long it’s been too long Another pointless, stagnant day I cried for hours, that’s not okay I need a face that’s saying I’m not afraid To turn your way Maybe she was never born with it She can get it over the counter Maybe she was never born with it Applying all the paint and the powder Maybe she was never born with it Fresh for every encounter Brushes on her vermillion smile In super-staying lipstick I feel the earth will swallow me I need some strength, solidity I hide my insecurity Behind this makeup Pretend to shape up Maybe she was never born with it She can make out she’s artistic Maybe she was never born with it Pretend she’s so hedonistic Maybe she was never born with it Her spirit’s almost realistic Brushes on her vermillion smile In super-staying lipstick Maybe you will always have to fake it Apply some glossy protection Baby, you will always have to fake it That’ll pass closer inspection Baby, you will always have to take it For every deeper connection Brushes on her vermillion smile In super-staying lipstick No poet and no pioneer No globetrotter no visionaire No escapist, no soloists No Seductress no composer No pathfinder, no dreamer No driver, no mover No creator, philosopher No ringleader, no lover
5.
Come Daphne 03:48
Before I become a laurel tree Try to hide my fear of what could be Reel me in, peel back my skin Open my eyes Ripe fruit stays tied, stubbornly shy Inside, please show me why This fruit must ripen, enlighten me and Open my eyes Is this what you came for? Lightly touched fingertips on wrists Unchartered breath between barely closed lips Sate your thirst on Miscellaneous soft, and unleaf me Is this what you came for? Stretched and looted, my undoing My season ending, my grip loosening A chestnut opening, roasting I burn for you Is this what you came for?
6.
Lucky Dip 04:14
I’ve had the rug pulled From under me so many times Hard to believe I haven’t lost my smile Take a lucky dip Intertwine my fate to yours It’s a fresh adventure every time Anchored to the carpet I may have lost my way Clinging to your ankle just to keep afloat Carnage all around us We’re only here to see the sights Wide-eyed tourists taking note Are you feeling better? (I’m not sure this floor can hold us) Are you feeling fine? (Is there any more to say?) I’m feeling so much better I’m feeling fine How far will this trip take us? Let’s hide in here forever Don’t speak, don’t think, don’t move Don’t sigh, don’t cry Don’t breath, don’t leave

credits

released August 13, 2021

Written and performed by Simon Aldous and Lee Friese-Greene
Recorded and mixed by Lucy and Matthew Board
at Penquit Mill Studios, Devon
Drums, synths, programming, trumpet and additional bass:
Lucy Board
Percussion and additional bass and guitars: Matthew Board
Piano on Sane Asylum: Robin Morgan
Vibraphone on Too Much Time: Tim Friese-Greene
Mastered by Denis Blackham at Skye Mastering
Cover art by Charlotte Beale

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Lemonade Sin London, UK

London and Devon-based Lemonade Sin are the creation of Lee Friese-Greene and Simon Aldous – assisted by Charlotte, Robin and Jen. While they cite their primary influences as Abba and the Velvet Underground, their dreamy indie-pop sound also has echoes of every great boy/girl duet you’ve ever heard –from Nancy and Lee, via the Pastels to Belle & Sebastian and the Human League ... more

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